Shenyang, August 8 (Zhongxin Net) -- The Qing Dynasty was an extremely important era in the history of the development of ancient Chinese calligraphy. On August 3rd, "Gao Gu Canghun-Shenyang Palace Museum Collection Seal Calligraphy Pair" was launched in Shi Shanzhai and Xie Zhongzhai, and 8 calligraphy works (sets) showed the seal calligraphy and affiliated books of the "Zhongxing period" and the aesthetic orientation of Qing Dynasty calligraphers "seeking quality" and "shangpu".
On August 8rd, "Gao Gu Canghun - Shenyang Palace Museum Collection Calligraphy Group Exhibition" was launched in Shenyang Palace Shi Shanzhai and Xie Zhongzhai. The picture shows the audience viewing the exhibition. Photo by China News Agency reporter Han Hong
This exhibition is divided into two units according to the style of the books exhibited: "Qing Dynasty Seal Book" and "Qing Dynasty Affiliated Book", and the seal book unit displays 18 (sets) of seal book couplets, including works by Wang Shu, Sun Xingyan, He Shaoji, Wu Tingchen and other famous artists; The Affiliated Books Unit exhibits 18 pieces (sets) of Affiliated Couplets, including works by Yi Bingshou, Weng Fanggang, Zhao Zhiqian, Ruan Yuan and other famous artists.
According to reports, in the Qing Dynasty, the wind of examination, epigraphy, and stele science prevailed, and the two types of calligraphy of seal and subordinate were warmed up, and the popularity recovered, and a number of seal books and calligraphy masters appeared, pushing the development of the two types of calligraphy to a new stage, and the Qing Dynasty also became the heyday of the development of seal books and subordinate books since the Wei and Jin dynasties.
In terms of seal books, the history of seal books in the Qing Dynasty can be roughly divided into three periods: early, middle and late, the early stage is the "retro" stage represented by Wang Shu and others, the middle period is the "change" stage represented by Deng Shiru and others, and the late period is the "melting" stage represented by Wu Changshuo and others. The first unit of the exhibition is the seal book section, which exhibits the work of Wang Shu, a representative of the "retro" stage of the Qing Dynasty seal book, "Seal Book Seven Words Lian", which reads: "Penglai has snow and pine nature, and blue and cloudless is called crane heart." "Signed "Liangchang Wang Shu", printed "Wang Shu's Seal" Baiwen Seal, "Virtual Boat" Zhu Wenyin, "Gongshou Old Man" Changfang Seal. The knot of this work is well-proportioned and dignified, the law is clear, the pen power is condensed, and it is round and tactful.
On August 8rd, "Gao Gu Canghun - Shenyang Palace Museum Collection Calligraphy Group Exhibition" was launched in Shenyang Palace Shi Shanzhai and Xie Zhongzhai. The picture shows the audience viewing the exhibition. Photo by China News Agency reporter Han Hong
In terms of affiliation, the change in the academic atmosphere of the Qing Dynasty also promoted the revival of affiliation. The Qing Dynasty Affiliated Letter directly followed the ancient law, took the Wei and Jin inscription steles and Tang steles, and returned to the Han tablet font on this basis, and gave a new spirit after inheriting the Han Dynasty Affiliated Book. In the middle of the Qing Dynasty, the number of famous artists who were good at writing was large, forming a generation peak after the Han Dynasty. In the second unit of the exhibition, the work "Affiliation of Five Words and Words" by Yi Bingshou, a pioneer representative of Zhongxing, is exhibited.
Yi Bingshou's subordinate writing style was formed on the basis of extensive absorption of Han dynasty brick and tile inscriptions and subordinate inscriptions. While accurately comprehending the characteristics of Han Zhi, Yi Bingshou accurately grasped the artistic characteristics of Han Bei Dunhou and added personal understanding, forming his unique style of "blending face into subordination", soothing and plain without losing the grandeur, in sharp contrast with the calligraphy masters Zhao Mengfu and Dong Qichang's calligraphy style. This unit exhibits his affiliated book Five Words: "Chamomile is hidden as a pillow, and Hanmei painting screen." The "signature" letter is for Bitang's brother Zhengzhi. Yi Bingshou. Ren Wu was obtained at Wumen, and Lu did not reinstall the Xiao'an Ji. "Zhuyin" West Lake Chang" Baiwen Fangyin, "Yibing Silky Seal" Zhuwen Fangyin, "Zhehu" Zhuwen Oval Seal, "Liuyan Caotang" Zhuwen Changfangyin, "He Clan Youyuan Four Bookstore Seal" Zhuwen Fangyin. This work has a distinctive personality and is round and rough. The chapter method is also distinctive, with an ancient intention and a straight pursuit of the Qin and Han dynasties. (End)