Eugene Delacroix and the charm of Tangier

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Ferdinand Eugene Victor Delacroix, commonly known as Eugene Delacroix, was a French painter who had a profound influence on romanticism. He became a master of colors and became one of the artists who founded the Romantic Movement and drew on their artistic works to develop a unique and distinctive approach to color, influence in literature and historical and contemporary events. In addition to his innate artistic style, Delacroix created a different experience by creating pictures of the northern city of Tangier, color images on white canvas.

Eugène Delacroix is ​​known as one of the most influential figures of art in his time. Author of famous works such as La Liberté guidant le peuple and La Mort de Sardanapale, which made the name Delacroix synonymous with the Romantic era of French art in the 19th century. Where the artist was inspired mostly by literature and historical events, and many of his works now owned by the French government.

When Delacroix traveled to Morocco, north of Morocco and the city of Tangier in 1832, he placed the tragedies behind him, leaving them as a memorial to his travels, and the subject that inflamed his art became the city itself. Delacroix painted more than 100 paintings and drawings for people, landscapes, animals and the way of public life in North Africa at the time. During his time in Tangier, Delacroix began to use and diversify more colors and his paintings became more free.

The ocean around Delacroix had much to do with shaping and refining its nucleus. Where he traveled all over Europe, but Tangier seemed to have had the greatest impact on him from all the places he visited. Paula Bowles, Mohammed Shukri, Keith Richards, and many artists of all different styles who walked in the alleys of this charming city and later became their engine of creativity.

The Tangier fanatics are a prominent example of the romantic style of the early 19th century, one of whose leaders and artists in the field of art is Eugene Ferdinand Delacroix. The romantic movement arose in part as a reaction to the new classic dogma of mind and order, by emphasizing rather than personal, emotional or dramatic by using a "strange" or literary or a distant history. Of the era.

The painting is based on an event that the artist witnessed directly. In 1832, Delacroix traveled to Africa with the French Ambassador, Count de Mournay. While in Morocco, Delacroix was watching the worship exercises of Issaoua, the first band of fanatics and the second from the Muslim community of Issaoua, as they gathered in the streets of Tangier.



Delacroix presented a quick sketch of these dervishes, now being exhibited at the Louvre Museum, France. Later in the summer, he made a watercolor, which made the painting four or five years later. When presented, the work was known to praise the use of Dolacroa for color, dramatic theme, and realistic therapy.

Tangier was an important social place for believers in the practice of Issaua and Darwish, who were devoted to poverty (asceticism) and chastity. Who move from town to town performing and seeking alms. At certain times, they gathered outside cities and engaged in emotionally charged situations through prayer and dancing. Then they moved on the streets to a state of ecstasy through physical mutilation and severe crying.

Another work, "A Jewish Wedding," was created by Delacroix in a house in the alleys of the ancient city of Tangier, Morocco, which he wrote based on his visual memoir, as he wrote in one of his notebooks. In the painting, Delacroix followed his notes almost to the letter, adjusting some details and hence the accuracy of the scene, as in the painting of fine details.